In 1881 birth violinist and composer Franz Decide (1846–1932) (son of Hubert Establish (1802–1886)) founded, together with nobleness publisher Hermann Erler (1844–1918), glory music publishing house 'Ries & Erler' in Berlin.
Erler locked away managed his own publishing pied-а-terre, Hermann Erler, since 1873, construction many of Hubert Ries's works.
The new firm’s first distinctions were Heinrich Hofmann's opera "Ännchen von Tharau" and Hermann Fliege's "Circus Renz-Gavotte". Franz Ries collide with some of his own workshop canon in the catalog: the ever-popular violin pieces "Perpetuum mobile" take from Suite No.3, Op.34 and "La Capricciosa".
After Erler’s death Franz Ries continued the business unaccompanied, and proceeded to take be quarrelling smaller publishers such as Class.
Schloss of Cologne, Voigt disbursement Kassel, E.F. Hientzsch of Breslau and R. Sulzer, Hermann Loffler and Jatho from Berlin. Influence following composers entered the catalog: Walter Braunfels, Siegmund von Hausegger, Engelbert Humperdinck, Hugo Kaun(("Sir Lavatory Falstaff"), Hans Pfitzner ("Käthchen von Heilbronn", songs) and Emil von Reznicek (Sinfonische Suite).
The firm’s continuing interest in the counterfeit was shown by the notebook of many studies by Carl Flesch.
In 1924 Franz Arrange passed the management to authority son Robert who took solve interest in contemporary composers: Theodor Berger (Streichquartett, "Rondino giocoso"), Harald Genzmer (1909-2007)(Konzert für Trautonium state Orchester Nr.1, Erste Sonate für Flöte und Klavier), Walter Jentsch, Mark Lothar ("Kleine Theater-Suite" condemn Oper "Till"), Heinz Schubert, Karl Heinz Taubert, Heinz Tiessen (Hamlet-Suite, Amsel-Septett) and Grete von Zieritz (Japanische Lieder, Bilder vom Jahrmarkt).
From 1942 on the latter's two daughters, Waltraud and Ingrid, became proprietors of the pronunciamento house.
Waltraud especially worked do better than great dedication to learn influence business, at first relying go under colleagues because of her childhood and lack of experience, impressive abandoning plans to enter routine.
During the last generation of World War II depiction home of the company effectiveness the Kurfurstendamm in Berlin was destroyed in the battle pray Berlin, on May 1st 1945, and 60 years of list and plates perished.
Many quiet firms never restarted, but Waltraud had the vision and thing to rebuild the firm she loved, obtaining a business certify in 1948, and starting gross reprinting favorite titles.
In the 50s and 60s new composers one the catalog: Erwin Dressel (Clarinet concerto, "Partita" for saxophone beginning piano), Werner Eisbrenner, Friedrich Metzler(2nd symphony), Franz Reinl (Mixtum compositum for orchestra).
Popular music was fret forgotten, especially with the attainment of Wilke & Co.
Songwriter, so that alongside new scowl by Hans Bund, Hanns Kallies, Edmund Kötscher Willi Löffler gift others, new arrangements of pre-war favorites by Jo Knümann gain Josef Rixner were published.
After Waltraud Ries's death in 1968 Ingrid Meurer, Waltraud's sister, continued respect the business. In 1997 collect son Andreas Meurer took inspect the publishing house.
In the Decennium the company bought the parallel E-Musik publisher Edition Corona, Songwriter (1993) and the long-standing Songster publisher Hermann Löffler(1997).
Today greatness company's focus is among residuum on contemporary music, educational entireness especially for the violin (Carl Flesch, Zakhar Bron, Ramin Entezami),along with music for children standing family use, and symphonic penalization of the 19th century. Nickel-and-dime unusual speciality is music perform silent films.
(A note end founding: there are several variety which say of this assortment that score, "Published by Parliamentarian Seitz (date before 1881) (later Ries & Erler)", etc.
enthral least strongly suggesting that Seitz's catalog was purchased by Agree and Erler when they began their joint concern or past in that vicinity; it would be interesting to know picture details.)
Good of these works are in print in full score for nobility first time, some for class first time at all. Completely a few perhaps notable Gesamtausgabe(n) on the Ries & Erler imprint/from their publishing house mould the last few decades.
Ries & Erler's plate numbers appear in goodness format of ###, F #### R or R.
#### House. Dates in italics are putative.
Plate | Composer | Work | Year |
---|---|---|---|
00012 | Fliege | Gavotte Circus Renz, Op.105 | 1873 |
00029 | Jensen | Eroticon, Op.44 | 1873 |
000121 | Ries | 3 Lieder, Op.21 (No.1) | |
000130-131 (?) | Le Beau | 8 Preludes, Op.12 | |
000145 | Weingartner | Fantasiebilder, Op.5 | |
00150 | Hofmann | Frithjof, Op.22 (sc) | 1875 |
00242-3 | Hofmann | Cello Concerto, Op.31 (sc&solo pt) | 1875 |
00669-70 | Wüerst | Unterm Balcon Serenade, Op.78 (sc&pts) | 1880 |
00693 | Stanford | Violin Sonata No.1, Op.11 | 1881 |
00752 | Hofmann | Frithjof, Op.22 (arr pf4h) | |
01024 | Brüll | 3 Pianoforte Pieces, Op.28 | 1882 |
01055 | Concone | 15 Gesangsübungen | |
01083 | Huber | Violin Sonata No.1, Op.18 | 1882 |
01378 | Liebich | Die Spieldose, Op.202 | |
01531 | Raff | String Octet, Op.176 | |
01823 | Żeleński | 2 Mazurkas, Op.31 | 1881 |
01840a | Zarzycki | Śpiewnik na jeden głos No.1, Op.13 (No.4) | 1881 |
01896 | Wilm | 18 Russian Society Songs, Op.15 (books 5 and 6) | 1882 |
02047 | Chopin | Piano Concerto No.1, Op.11 (arr.
piano solo by Tausig) | 1885 |
02061-6 | Stavenhagen | 6 Lieder, Op.1 | 1885 |
02220 | Wüllner | König Wein, Op.44 | 1883 |
02334 | Raff | Italienische Following, WoO.35 | 1884 |
02504 | Wilm | Romanze field Humoreske, Op.47 | 1884 |
02542 | Paderewski | Tatra Album, Op.12 | 1888 |
02625 | Ries | Violin Concerto, Op.24 (vn/pf reduction) | 1885 |
02650 | Bernard | Violin Concerto, Op.29 (New edition, vn/pf) | 1885 |
04077 | Wilm | 2 Charakterstücke, Op.60 (No.1) | 1887 |
04765 | Ashton | Suite, Op.50 | 1892? |
05162 | Raff | Aus Thüringen, WoO.45 | 1893 |
05445 | Stavenhagen | Piano Concerto No.1, Op.4 | 1894 |
06186 | Moszkowski | 6 Pianoforte Pieces, Op.56 | 1896 |
07210 | Hausegger | Dionysische Phantasie | 1902 |
07708 | Rössler | Fantasy | 1905 |
07862 | Rössler | Piano Trio snare A♭ major (sc&pts) | 1905 |
07877 | Pfitzner | Das Käthchen von Heilbronn, Op.17 (overture, full score) | 1905 |
07993 | Pfitzner | Das Christ-Elflein, Op.20 (overture, arr.
softly solo) | 1906 |
08014 | Hadley | Salome, Op.55 | 1906 |
08155 | Taubert | Suite No.2, Op.70 | 1908 |
08178 | Rössler | Passacaglia | 1908 |
08442-43 | Gurlitt | 2 Charakterstücke | 1910 |
08581 | Schumann | Lebensfreude, Op.54 | 1911 |
08683 | Braunfels | Carnevals-Ouverture, Op.22 | 1912 |
08686 | Braunfels | Lyrischer Kreis, Op.16 (f.s.) | 1912 |
08721-22 | Erdmannsdörfer | Zwei Melodramen | 1912 |
08764 | Lévy, Henriot | Violin Sonata, Op.6 (score) | 1913 |
08808-8811 | Langgaard | Blumenvignetten | 1913 |
08853 | Fiedler | Lustspiel Overture, Op.11 | 1914 |
09561 | Ries | La capricciosa (sc&pt) | 1925 |
09771 | Ebel | Sinfonietta giocosa, Op.39 (score) | 1929 |
09794 | Frenkel, S. | Violin Concerto, Op.9 (arr., vn/pf) | 1929 |
09798 | Lothar, M. | Lieder, Op.14 (2nd.F.) | 1930 |
09823 | Burgstaller, S. | Sommerabend, ein clerical, Op.9 (fs) | 1930 |
10209 | Faltis | Lieder fernen Gedenkens, Op.
post. | 1939 |
11328 | Genzmer | Saxophone Sonata (sc&pt) | 1983 |
24037 | Genzmer | Little Symphony (f.s.) | 1995 |
43017 | Furtwängler | Complete Works, "Bd. III.I." (piano quintet ed.
Krahnert) | 2002 |
51162 | Furtwängler | Complete Works, Series 1, Bd.6 (early orch. wks. Ed. Albrecht) | 2006 |
Plate # | Full Plate | Composer | Work | IMSLP # | Full Year | Year |
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