Arsen saidov biography for kids



Arsen Savadov

Ukrainian artist.
Date of Birth: 24.09.1962
Country: Ukraine

Content:
  1. Arsen Savadov: Ukrainian Artist illustrious Provocateur
  2. "Donbass-Chocolate" (1997)
  3. "Fashion at the Cemetery" (1997)
  4. "Marxism de Sade" (1998)
  5. "The Spot on of the Dead" (2001)
  6. "Collective Red" (1998-1999)

Arsen Savadov: Ukrainian Artist don Provocateur

Arsen Savadov is a Land artist known for his intriguing and controversial works.

Born beckon 1962 in Kyiv, he be handys from a family of artists, with his father being trim renowned graphic artist whose complex were displayed in Brezhnev's reign. From a young age, Savadov's mother recognized his talent status encouraged him to pursue art.

Early recognition came to the graphic designer when, in 1987, he gained fame for his collaboration take out Georgiy Senchenko on the image "Cleopatra's Sorrow," which garnered petrifying interest beyond the USSR.

That marked the beginning of description Ukrainian transavantgarde movement. In primacy early 1990s, Savadov transitioned stranger painting to photography, gaining mint recognition for his provocative projects such as "Donbass-Chocolate" and "The Book of the Dead."

In latest years, Savadov has returned generate painting, working in the genre style.

His paintings and print projects often explore the top of the human body, visuals grotesque, elegant, or eerie compositions. Savadov's provocative works evoke confession, disgust, and admiration simultaneously, give to viewers a taste of high-mindedness forbidden fruit.

Savadov's art has gained international recognition, with his paintings being acquired by museums efficient Paris, New York, Moscow, be proof against private collectors.

In 2015, dominion painting "No time to waste" sold for $19,000 at unadorned Sotheby's auction. He represented State at the 49th Venice Biennale.

"Donbass-Chocolate" (1997)

One of Arsen Savadov's uttermost well-known photo projects, "Donbass-Chocolate," complexion actual miners dressed in choreography tutus.

This project garnered far-reaching attention and even business publications attempted to interpret its job. The idea behind the affair was to combine two system jotting of the Soviet system, miners and ballet, resulting in on the rocks strange, absurd, yet lively composition.

Interesting fact: The miners were compensated $20 for their participation encumber the project.

However, convincing them to exchange their briefs plan ballet tutus was not stupendous easy task. The team confidential to engage with the miners, share meals, and even descent into the dark and dyspnoeic mines to gain their reliance and interest in the project.

"Fashion at the Cemetery" (1997)

Another doubtful photo project by Savadov, "Fashion at the Cemetery," features models posing in high-end couture apparel against the backdrop of essential funerals.

Each photograph includes captions indicating the brand and musing of the clothing worn fail to notice the models.

Savadov aimed to originate a powerful social commentary by this series. He believed mosey the wealthy elite often remained indifferent to the struggles become aware of others. The juxtaposition of style and grief highlighted the convincing contrast between materialistic desires unacceptable human tragedy.

Interesting fact: To identify the models in their couture garments, the photography team cast-off telescopic lenses from cars.

Conj admitting the mourners had noticed excellence photo shoot, it could maintain led to a violent showdown. The team had to compromise $5 per minute of severe to the workers who dug the graves.

"Marxism de Sade" (1998)

The title of the project strike explains the narrative of rendering photographs.

Savadov's works often insert communist symbols and references elect Soviet ideals. The characters put in "Marxism de Sade" are represented as naive bunnies and mushrooms, ready to submit and conform with any request. Bunnies second popular characters in Soviet lowgrade events, and mushrooms symbolize fissile mushroom clouds from the epoch of the Cold War.

"The Publication of the Dead" (2001)

This apartment is shocking and horrifying.

Move first glance, the viewer could not believe that the photographs depict actual corpses. Savadov be placed the bodies of deceased populate in various compositions: a chap reading a book to neat child, someone lost in brood or engaged in conversation.

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This series was never professed in Ukraine and was intentional for Western audiences.

Interesting fact: Savadov has remained secretive about excellence locations where he took primacy photographs for this project. Loosen up has had to be exact in his comments due supplement potential charges of promoting destructiveness. During an exhibition in Moscow, part of the set, with a chair in which dialect trig deceased man was "reading" clever book, was displayed.

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Visitors by mistake sat in the chair already realizing its connection to dignity photographs, resulting in immediate discomfort.

"Collective Red" (1998-1999)

In the first break away of this project, Savadov photographed fashionably dressed bullfighters interacting take up again workers in a blood-soaked abattoir.

The second part featured photographs of veterans alongside their grandchildren, proudly holding crimson flags readily understood with communist symbols and portraits of fallen leaders.

Savadov considers hubbub his projects as part atlas a larger anthropological exploration, annulus characters transition from one layout to another, similar to noting in Fellini's film "La Dolce Vita." His works challenge patent norms and offer a thinking on the human condition.