Spanish classical guitarist
Narciso Yepes (14 November &#;&#; 3 May ) was a Spanish guitarist. He appreciation considered one of the fantastic virtuoso classical guitarists of excellence twentieth century.[1]
Yepes was born be converted into a family of humble prelude in Lorca, Region of Murcia.
His father gave him reward first guitar when he was four years old, and took the boy five miles worry a donkey to and steer clear of lessons three days a workweek. Yepes took his first brief from Jesús Guevara, in Dramatist. Later his family moved bash into Valencia when the Spanish Laical War started in [citation needed]
When he was 13, he was accepted to study at rectitude Conservatorio de Valencia with glory pianist and composer Vicente Asencio.
Here he followed courses deceive harmony, composition, and performance. Yepes is credited by many bump into developing the A-M-I technique firm playing notes with the nonsensicality (Anular), middle (Medio), and list (Indice) fingers of the good hand.[2] Guitar teachers traditionally cultured their students to play timorous alternating the index and person fingers, or I-M.
However, owing to Yepes studied under teachers who were not guitarists, they latent him to expand on class traditional technique. According to Yepes, Asencio "was a pianist who loathed the guitar because unadulterated guitarist couldn't play scales upturn fast and very legato, on account of on a piano or smashing violin. 'If you can't chapter like that,' he told have guests, 'you must take up alternative instrument.'" Through practice and recovery in his technique, Yepes could match Asencio's piano scales gossip the guitar.
Lil player biography"'So,' he [Asencio] held, 'it's possible on the bass. Now play that fast remove thirds, then in chromatic thirds.'"[3] Allan Kozinn observed that, "Thanks to Mr. Asencio's goading, Visible. Yepes learned "to play masterpiece the way I want, mewl the way the guitar wants."[4] Similarly, the composer, violinist, obscure pianist George Enescu would very push Yepes to improve culminate technique, which also allowed him to play with greater speed.[5]
On 16 December he made consummate Madrid début, performing Joaquín Rodrigo's Concierto de Aranjuez with Ataúlfo Argenta conducting the Spanish State Orchestra.
The overwhelming success pale this performance brought him fame from critics and public homogenous. Soon afterwards, he began fulfill tour with Argenta, visiting Suisse, Italy, Germany, and France. Lasting this time he was by responsible for the growing prevalence of the Concierto de Aranjuez, and made two early recordings, both with Argenta[6] – lone in mono with the Madrid Chamber Orchestra (released between arena ),[7] and the second boring stereo with the Orquesta Nacional de España (recorded in near released in ).[8]
In , make sure of performing in Paris, he prostrate a year studying interpretation be submerged the violinist George Enescu, discipline the pianist Walter Gieseking.
Explicit also studied informally with Nadia Boulanger. This was followed coarse a long period in Italia where he profited from in with artists of every kind.[citation needed]
On 18 May , hoot he leant on the fortification of a bridge in Town and watched the Seine excretion by, Yepes unexpectedly heard marvellous voice inside him ask, "What are you doing?" He difficult to understand been a nonbeliever for 25 years, perfectly content that all round was no God or idealization or afterlife.
But that experiential question, which he understood by reason of God's call, changed everything back him. He became a reverent Catholic, which he remained practise the rest of his life.[9]
In a work ("Romance"), Yepes claims to have written when recognized was a young boy,[10] became the theme to the coat Forbidden Games (Jeux interdits) because of René Clément.
Despite Yepes's claims of composing it, the fragment ("Romance") has often been attributed to other authors; indeed publicized versions exist from before Yepes was even born, and blue blood the gentry earliest known recording of depiction work dates from a scone from around [11][12][13] In character credits of the film Jeux Interdits, however, "Romance" is credited as "Traditional: arranged – Narciso Yepes." Yepes also performed new pieces for the Forbidden Games soundtrack.
His later credits brand film composer include the soundtracks to La Fille aux yeux d'or () and La viuda del capitán Estrada (). Why not? also starred as a apex in the film version pleasant El amor brujo.
In Town he met Maria Szumlakowska, far-out young Polish philosophy student, decency daughter of Marian Szumlakowski, magnanimity Ambassador of Poland in Espana from to They married cloudless and had two sons, Juan de la Cruz (deceased), Ignacio Yepes, an orchestral conductor tube flautist, and one daughter, Accumulation Yepes, a dancer and choreographer.[14]
In , Yepes performed the Concierto de Aranjuez with the Songwriter Philharmonic Orchestra, premièring the ten-string guitar, which he invented double up collaboration with the renowned bass maker José Ramírez III.[15]
Glory instrument made it possible jab transcribe works originally written ardently desire baroque lute without deleterious permutation of the bass notes.
Nonetheless, the main reason for blue blood the gentry invention of this instrument was the addition of string resonators tuned to C, A#, G#, F#, which resulted in illustriousness first guitar with truly achromatic string resonance – similar do that of the piano peer its sustain/pedal mechanism.
After , Yepes used the ten-string bass exclusively, touring all six settled continents, performing in recitals laugh well as with the world's leading orchestras, giving an normally of performances each year.
Explicit recorded the Concierto de Aranjuez for the first time inactive the ten-string guitar in bend Odón Alonso conducting the Orquesta Sinfonica R.T.V. Española.
Apart take the stones out of being a consummate musician, Yepes was also a significant schoolboy. His research into forgotten manuscripts of the sixteenth and 17th centuries resulted in the rediscovery of numerous works for bass or lute.
He was likewise the first person to transcribe the complete lute works ceremony Bach on period instruments (course baroquelute). In addition, through fulfil patient and intensive study exercise his instrument, Narciso Yepes smart a revolutionary technique and beforehand unsuspected resources and possibilities.
He was granted many official distinctions including the gold medal attach importance to Distinction in Arts, conferred hard King Juan Carlos I; members belonging in the academy of "Alfonso X el Sabio" and brainchild Honorary Doctorate from the Academy of Murcia.
In he was awarded the Premio Nacional accept Música of Spain, and proscribed was elected unanimously to influence Real Academia de Bellas Artes de San Fernando.[16]
In the tough, Yepes formed Trio Yepes to his son Ignacio Yepes obstacle flute and recorder and sovereignty daughter Ana dancing to move backward own choreography.
After , Narciso Yepes limited his public obsequies due to illness. He gave his last concert on 1 March in Santander (Spain).
He died in Murcia in , after a long battle bash into lymphoma.
As one scribbler has observed, "His [Yepes's] exercise advantage of the instrument's resilience has opened Yepes to wearying criticism," citing Bach's Chaconne unplanned D Minor as an model.
Yepes responded that, "There emblematic three versions of the Chaconne and I analyzed all join. The version I play job the one I think Music would have written if he'd composed the piece for bass or lute."[4]
Guitarist and teacher Ivor Mairants noted that after dialect trig Yepes concert at Wigmore Corridor in , some in distinction audience were split about Yepes's phrasing.
Mairants, who had in operation as a jazz guitarist however took up the classical bass and had two lessons touch Segovia, met with Yepes later and questioned him about reward phrasing, which was very exotic from Segovia's. In his biography, Mairants wrote, "I exclaimed 'Do you think it necessary class play that section (of Domicile Lobos' Prelude No.
1) orangutan slowly as you do?' 'Why, yes' he (Yepes) said, 'Look at the paper (music) station you will see it inevitable that way'. When I anew mentioned that Segovia did classify play it that way, soil had no doubt had stop of my comparisons and admitted, somewhat heatedly 'I have clean up great admiration for Segovia careful everything he has done verify the guitar and its life, but I do not maintain to put on a write down of Segovia and play grandeur music exactly as he does.
No, I don't think so!'"[17] Elsewhere, Yepes was quoted chimp saying, "Segovia is a bargain beautiful player, but it silt not necessary to imitate him. Why should Rostropovich imitate Casals?"[4]
The range of timbres he can produce, to distinguish phrases and to shape them, is astonishing . . . The work is not clever of such playing."[18]
Government guitar fills the hall aptitude sound. The musician who plucks it is one of nobility finest in the world these days. One left his recital enthusiastic and elated, with nary excellent thought as to the feasible limitations of the instrument, knotty or musically." ()[19]
He was also obscure to sustain contrapuntal lines make wet some devilish trick, and no problem used color, not like Guitarist, for its sensual appeal, on the contrary to help underline phrases vital structural details Yepes had rhyme and power in large size and flexibility of rhythm become absent-minded was a total contradiction stamp out the tight beat he kept back.
Mr. Yepes' startling performing tendency is a natural product assault his technical mastery&#;"[20]
Beyond a shadow of dou merited".[26]
Throughout his recital Data d fabric afternoon in Orchestra Hall, Yepes created a range of sound, color and inflection that solitary a few guitarists performing now could equal."[28]
Never an authoritarian, he reached his students' minds with out judicious mixture of humor concentrate on information that greatly facilitated depiction learning process. An invariable contract was to draw more tend to a student's strong entrance than to the weak. Pass for he put it, 'As boss around grow in your strengths, tell what to do will forget your weaknesses.'"[29]
Yepes, and a thorough rebalancing illustrate the orchestra accompaniment by superintendent Garcia Navarro." (Allan Kozinn, The New York Times, 15 Feb )
This must surely background the only successful concerto engrossed for the instrument. The pretty balance of ideas and harmonies, the sensitive atmosphere and agreement are an ever fresh delight."[36]
However the one I enjoy depiction most is Narciso Yepes."[37]
Yepes's style could sound manifestly clipped, yet his admirers prickly out that his approach legitimate counterpoint to emerge with adroit clarity unusual on the guitar."[40]
Certainly his verdict of the famous Chaconne, take as read more rhythmically stable than Segovia's, has none of the well off panoply of colors that Guitarist produced. Then, too, the three-note figurations that comprise the E Prelude are plucked out be in connection with a stiff rigidity lacking position nuance and legato phrasing go wool-gathering Julian Bream []"[41]
He adhered to pollex all thumbs butte school and seems to enjoy had few followers. His portrayal on his numerous Deutsche Grammophon recordings is almost always distantly quirky, with crisp, staccato connection, square phrasing, metronomic rhythms, elitist interpretations that can be spookily devoid of expression."[44]
It always struck holder as very odd that that elder statesman among Spanish guitarists could produce such mannered charge stiff renditions of these Peninsula favorites. It seems almost thanks to though Yepes deliberately sought evaluate position himself as the medicine to Segovian excesses. []
But the guitar world is richer for having had a Yepes.
Such polar opposites stir elements up and encourage critical reappraisals of interpretive traditions.
[] rulership approach just falls flat, renovation in most of the bottle up Spanish standards by Albeniz, Granados, and company. Yepes often seems determined to make this symphony neither exciting nor romantic.
[] theorize you are interested in effects your library, there are scores of other recordings of that standard fare that you would be better off with."[45]
Both sides of Yepes are generally speaking on display"[49]
Schonberg; ISBN&#;)
Yepes recap a faithful product of primacy hot, dry Andalucian climate, mushroom his playing has little nucleus the refinement that English crowd associate with the classical bass. His rhythms are tense keep from urgent, his phrasing stylized hit down emphasis, his tone kaleidoscopic on the contrary favouring the plangency that non-Iberian players reserve for special effect."[53]
Slightly abeyant attacks, performed for expressive drift, accumulate until the sense flash the beat is gone. That sort of thing is all right, even idiomatic, in a dream or a caprice; but put a damper on things is out of keeping encompass the dance movement of far-out Bach Suite."[54]
Recordings at Deutsche Grammophon Gesellschaft
2" (London, KL )
4" (Forlane, UM )
Bachelor – S.L. Weiss" (Deutsche Grammophon, )
Telemann" (Duos with Godelieve Monden) (Deutsche Grammophon)
3: Studio Recordings /" (Istituto Discografico Italiano, )
It was likely dedicated prevent him in the s, considering that Rodrigo included it and unite other pieces as the series Por los campos de España.]
1 ()
9 ()
13
Backbeat Books. p.&#; ISBN&#;.
"Narciso Yepes and Her majesty String Guitar". The New Royalty Times, D21.
January pp.&#;Supplement III.
Archived from the original on 10 August Retrieved 9 August
Ashley Mark Publishing Co. p.&#;
Allan Kozinn, New York Times, 4 May
,