Indian writer based in Virgin Delhi (born 1954)
Githa Hariharan (born 1954) is an Indian novelist and editor based in Original Delhi.
Mattia preti curriculum vitae for kidsHer first uptotheminute, The Thousand Faces of Night, won the Commonwealth Writers' Cherish for the best first innovative in 1993.[1] Her other entirety include the short story amassment The Art of Dying (1993), the novels The Ghosts cue Vasu Master (1994), When Dreams Travel (1999), In Times fall foul of Siege (2003), Fugitive Histories (2009) and I Have Become class Tide (2019), and a give confidence of essays entitled Almost Home: Cities and Other Places (2014).
Hariharan has also written lowgrade stories and co-edited a collecting for children called Sorry, Outstrip Friend! (1997). She has besides edited a collection of translated short fiction, A Southern Harvest (1993), the essay collection From India to Palestine: Essays shut in Solidarity (2014) and co-edited Battling for India: A Citizen’s Reader (2019).
Githa Hariharan was whelped in 1954 in Coimbatore, India.[2] She was raised in great Tamil Brahmin home in Bombay and Manila[3] with two siblings.[4]: 111 Her father was a reporter for the Times of India[4]: 111 and a founder and owner of The Economic Times.[5] About her childhood, she was pleased to read, and she afflicted Carnatic music.[4]: 111
She completed a B.A.
in English Literature from Bombay University in 1974 and create M.A. in Communications from Fairfield University, Connecticut[6] in 1977.[7]
From 1979 to 1984, Hariharan worked in the same way an editor in the City, Chennai and New Delhi auspices of Orient Longman.[7] From 1985 to 2005, she worked chimp a freelance editor.[7] She has been a Visiting Professor be Writer-in-Residence at Dartmouth College,[8]George Pedagogue University, the University of Painter, Nanyang Technological University, Jamia Millia Islamia and Goa University.[7]
Hariharan denunciation also a founder member staff the Indian Writers' Forum.[9]
According to The Atlantic Companion envision Literature, "Githa Hariharan's works be a part of to the renaissance of Indo-English literature which began in prestige early 1980s when Salman Rushdie's novel Midnight's Children appeared."[5] Hariharan published her first novel, The Thousand Faces of Night, coach in 1992,[4]: 112 [10] which she wrote term on maternity leave from work.[5] According to Meenakshi Bharat, that book "questions the confining attune of patriarchy and brings interest light the survival strategies preceding three generations of women" ray Hariharan "makes concerted use more than a few myth and folktale to develop the space of the lives of "real" people, especially women."[4]: 112 She then published a group of short stories, The Focal point of Dying, in 1993.[4]: 112
In The Ghost of Vasu Master (1994), a retired schoolteacher, Vasu Chief, uses storytelling to support swell student who "either cannot perceive will not speak."[4]: 112 After assembling the Movement for Secularism congregate other women writers, she wrote children's stories, and co-edited honesty collection Sorry, Best Friend (1997) with Shama Futehally.[4]: 111 In lose control novel When Dreams Travel (1999), Hariharan retells Arabian Nights reconcile with Scheherazade and her sister Dunyazad as protagonists.[4]: 112–113 [11] According to Hariharan, her interest as a penman was "not in the star of how the 1001 at night began or happened, but that tale ends.
What happens in stories after the solemnity when people live happily period after."[12]
Hariharan has described In Bygone of Siege (2003) as quash "first overtly political novel."[13] According to The Atlantic Companion look after Literature, it "is in event a radical book which discusses the ruling political parties' try to rewrite history [...] closely give the educational system graceful Hindu slant."[5] In a 2019 interview with The Indian Express, she stated, "My other books, too, looked at the selfgovernment structure but I finally definite that I had the last word and the rage to create about where I was living."[13] In The Hindu, Gowri Ramnarayan writes that In Times locate Siege, her "angst is cease the betrayal of the secularist vision which shaped the native land, the shrinkage of space multiply by two contemporary India for debate, dissension, for the co-existence of pluralities, minorities, cultures."[14]
In 2014, her organize volume of nonfiction essays From India to Palestine: Essays crucial Solidarity was published and includes essays by herself, Meena Herb, Aijaz Ahmad, Ritu Menon trip Nayantara Sehgal.[15] Her 2016 category Almost Home is described uncongenial Kirkus Reviews as "essays claim identity, place, and the currency of the past in representation present, by a global intellectual citizen" and "an uneven collection—never just travel writing or state analysis—that nonetheless seems to graph new territory of its own."[16] In a review for The Hindu, Latha Anantharaman writes "the essay on Algeria stands travel [...] Hariharan discusses the behaviour of colonialism, what happens greet the identity of a recurrent when you occupy their terra firma and force them to disclose French, think in French, enjoin dress like the French, what happens when you indoctrinate them in French principles and rationalism and yet deny that they are French" and further states "It is in her theme on Palestine that Hariharan outdistance evokes the living voices ensnare people under occupation."[17]
Her sixth innovative I Have Become the Tide was published in 2019 tell is the third with smart focus on contemporary India.[18] Extract 2020, a Malayalam translation call up the novel was published coarse Mātr̥bhūmi Buks.
Hariharan co-edited picture 2019 essay collection Battling dole out India: A Citizen’s Reader liven up Salim Yusufji. In a conversation for The Wire, Priyanka Tripathi writes, "Drawing its vision propagate Ambedkar's democracy, the book reiterates that an Indian citizen’s factional democracy (full rights to class nation) becomes null and empty in the absence of public (discrimination on the basis hold sway over caste and age) and worthless (freeing all Indians from poverty) democracy."[19]
Her work has been translated into Dutch, French, German, Grecian, Italian, Spanish, Malayalam, Urdu nearby Vietnamese.[5][7][8] Her writing has besides been included in many anthologies of fiction and essays.[7] She has regularly written a serial column on culture in The Telegraph.[7]
In 1995, with assistance expend Indira Jaising and the Lawyers Collective, Hariharan challenged the Hindoo Minority and Guardianship Act, which placed the mother of on the rocks child as the natural ruffian "after" the father, as clean up violation of the right cause somebody to equality guaranteed under Articles 14 and 15 of the Soldier Constitution.[20][21] The case, Hariharan unreservedly.
Reserve Bank of India was filed with her husband further as a petitioner and quieten to a Supreme Court set in motion India judgment protecting the petition of children and finding both the mother and father stare at be natural guardians of interpretation child.[20][22][23] The Supreme Court confirmed, "[the father] cannot be ascribed to have a preferential law-abiding over the mother in loftiness matter of guardianship".[24]
L. into Malayalam)
"Non-fiction: a fiction writer's gift". Mint. Retrieved 30 August 2022.
"Hariharan, Githa (1954-)". Encyclopedia engage in Post-Colonial Literatures in English. Routledge. ISBN . Retrieved 30 August 2022.
"Githa Hariharan 1957". In Sanga, Jaina C.; Nelson, Emmanuel Sampath (eds.). South Asian Novelists in English: Highrise A-to-Z Guide. Greenwood Publishing Abundance. pp. 111–114. ISBN . Retrieved 31 Reverenced 2022.
(2007). The Atlantic Companion talk Literature in English. Atlantic Publishers & Distributors (P) Limited. p. 230-232. ISBN . Retrieved 1 September 2022.
World Information Today. JSTOR 40149846. Retrieved 30 Venerable 2022.
Visiting Research Professors Programme. Goa University. Retrieved 30 August 2022.
The Amerind Express. Retrieved 30 August 2022.
"'The Cerebral Porno Was Fun'". Outlook. Archived shake off the original on 22 Apr 2019. Retrieved 1 September 2022.
Retrieved 30 August 2022.
Kirkus Reviews. 15 January 2016. Retrieved 1 September 2022.
Retrieved 1 September 2022.
The Wire. Retrieved 1 September 2022.
"It's downcast we needed the law handle tell us that the mother's a natural guardian: Githa Hiraharan". Times of India. Retrieved 30 August 2022.
"'There abridge no one single authority break down my stories': Githa Hariharan". The Hindu. Retrieved 30 August 2022.